Critical Acting Pedagogy: Intersectional Approaches invites readers to think about pedagogy in actor training as a research field in its own right: to sit with the complex challenges, risks and rewards of the acting studio; to recognise the shared vulnerability, courage and love that defines our field and underpins our practices.
This collection of essays, from a diverse group of acting teachers at different points in their careers, working in conservatoires and universities, illuminates current developments in decolonising studios to foreground multiple and intersecting identities in the pedagogic exchange. In acknowledging how their positionality affects their practices and materials, 20 acting teachers from the UK, the US, Europe and Oceania offer practical tools for the social justice acting classroom, with rich insights for developing critical acting pedagogies.
Authors test and develop research approaches, drawn from social sciences, to tackle dominant ideologies in organisation, curriculum and methodologies of actor training.
Critical Acting Pedagogy: Intersectional Approaches frames current efforts to promote equality, diversity and inclusivity in the studio. It contributes to the collective movement to improve current educational practice in acting, prioritising well-being and centering the student experience.