First study of contemporary composer John Zorn’s ‘file card’ compositions.
Provides a unique approach to music semiotics and hermeneutics inspired by hypertextual analysis and intermedia studies.
Offers the first theorization of an ‘uncreative’ or ‘unoriginal’ music.
Contains a conceptual poem based on John Zorn’s composition Godard.
Contains images of Zorn’s file cards that have yet to be made public.