This book employs a new approach to the art of sixteenth-century Europe by incorporating rhetoric and theory to enable a reinterpretation of the origin of Mannerism as being grounded in sixteenth-century spirituality.
Lynette Bosch examines the conceptual vocabulary found in sixteenth-century treatises on art from Giorgio Vasari to Federico Zuccari, which analyzes how language and spirituality complement the visual styles of Mannerism. By exploring the way in which writers from Leone Ebreo to Gabriele Paleotti describe the interaction between art and spirituality, Bosch establishes a religious base for the language of art in sixteenth-century Europe.
The book will be of interest to scholars working in art history, Renaissance studies, religious studies, and religious history.