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Against Transmission: Media Philosophy and the Engineering of Time

Timothy Barker

Super Thinking: Upgrade Your Reasoning and Make Better Decisions with Mental Models

Gabriel Weinberg

Secular Magic and the Moving Image: Mediated Forms and Modes of Reception

Max Sexton

Live Cinema: Cultures, Economies, Aesthetics

Aging and Popular Music in Europe

Abigail Gardner,Ros Jennings

Theory for Art History

Jae Emerling

Theory for Art History

Jae Emerling

Abandoned Sacred Places

Lawrence Joffe

Phantasmal Spaces: Archetypical Venues in Computer Games

Professor Mathias Fuchs

Adaptation for Animation: Transforming Literature Frame by Frame

Hannes Rall

Threatened Masculinity from British Fiction to Cold-War German Cinema

Joseph Willis

Mind in Motion: How Action Shapes Thought

Barbara Tversky

Howard Stern Comes Again

Howard Stern

Understanding Photojournalism

Jennifer Good,Paul Lowe

The Great War and the Moving Image

Adaptations in the Franchise Era: 2001-16

Kyle Meikle

Podcasting: The Audio Media Revolution

Martin Spinelli,Lance Dann

Podcasting: The Audio Media Revolution

Martin Spinelli,Lance Dann

Gender in Post-9/11 American Apocalyptic TV: Representations of Masculinity and Femininity at the End of the World

Eve Bennett

Sounds, Screens, Speakers: An Introduction to Music and Media

Dr. Charles Fairchild

Music Radio: Building Communities, Mediating Genres

Eco-Trauma Cinema

Spectacle in "Classical" Cinemas: Musicality and Historicity in the 1930s

Tom Brown

Transnational Horror Across Visual Media: Fragmented Bodies

Video Art Historicized: Traditions and Negotiations

Malin Hedlin Hayden

Migration in Performance: Crossing the Colonial Present

Caleb Johnston,Geraldine Pratt

India's New Independent Cinema: Rise of the Hybrid

Ashvin Immanuel Devasundaram

The Kubrick Legacy

Going on the Turn

Danny Baker

The Opposite of Hate: A Field Guide to Repairing Our Humanity

Sally Kohn

Creating Dialogue for TV: Screenwriters Talk Television

Monika Bednarek

Your Call: What My Listeners Say and Why We Should Take Note

Jeremy Vine

The Best of A. A. Gill

Adrian Gill

Audio Production Worktext: Concepts, Techniques, and Equipment

Samuel J. Sauls,Craig A. Stark

Audio Production Worktext: Concepts, Techniques, and Equipment

Samuel J. Sauls,Craig A. Stark

Cinema: Concept & Practice

Edward Dmytryk

On Screen Writing

Edward Dmytryk

Post-Production and the Invisible Revolution of Filmmaking: From the Silent Era to Synchronized Sound

George Larkin

Scriptwriting for Film, Television and New Media

Alan C. Hueth

Critical Approaches to TV and Film Set Design

Geraint D'Arcy

Film Feminisms: A Global Introduction

Kristin Lene Hole,Dijana Jelaca

Film Feminisms: A Global Introduction

Kristin Lene Hole,Dijana Jelaca

How Drawings Work: A User-Friendly Theory

Susan C. Piedmont-Palladino

Experimental Animation: From Analogue to Digital

Complex Serial Drama and Multiplatform Television

Trisha Dunleavy

Complex Serial Drama and Multiplatform Television

Trisha Dunleavy

The Routledge Companion to New Cinema History

Crafting Stories for Virtual Reality

Melissa Bosworth,Lakshmi Sarah

Melancholy Emotion in Contemporary Cinema: A Spinozian Analysis of Film Experience

Francesco Sticchi

Made in Korea: Studies in Popular Music

Found Footage Horror Films: A Cognitive Approach

Peter Turner

Screening Characters: Characterization in Film, Television, and Interactive Media

Narratives of Place in Literature and Film

The Politics of Memory in Sinophone Cinemas and Image Culture: Altering Archives

World War II Abandoned Places

Michael Kerrigan

Imaginary Europes: Literary and filmic representations of Europe from afar

Trauma, Dissociation and Re-enactment in Japanese Literature and Film

David C. Stahl

The Politics of Memory in Sinophone Cinemas and Image Culture: Altering Archives

Performance Autoethnography: Critical Pedagogy and the Politics of Culture

Norman K. Denzin

Performance Autoethnography: Critical Pedagogy and the Politics of Culture

Norman K. Denzin

Transnational Cinema at the Borders: Borderscapes and the cinematic imaginary

The Travel Photo Essay: Describing a Journey Through Images

Mark Edward Harris

The Rock History Reader

The Rock History Reader

Jazz and the Philosophy of Art

Lee B. Brown,David Goldblatt,Theodore Gracyk

Photography and Migration

Music and Sound in Silent Film: From the Nickelodeon to The Artist

Routledge Revivals: Radio Broadcasting from 1920 to 1990 (1991): An Annotated Bibliography

Diane F. Carothers

: David Rabe (1988): A Stage History and a Primary and Secondary Bibliography

Philip C. Kolin

Recomposing the Past: Representations of Early Music on Stage and Screen

Bringing in the Sheaves: Wheat and Chaff from My Years as a Priest

Richard Reverend Coles

The Comic Event: Comedic Performance from the 1950s to the Present

Professor Judith Roof

Sonic Thinking: A Media Philosophical Approach

Critical Approaches to TV and Film Set Design

Geraint D'Arcy

Religion and Reality TV: Faith in Late Capitalism

Religion and Reality TV: Faith in Late Capitalism

Hollywood Drive: What it Takes to Break in, Hang in & Make it in the Entertainment Industry

Eve Light Honthaner

Stop Looking at Your Phone: A Helpful Guide

Son of Alan

The Break with the Past: Avant-Garde Architecture in Germany, 1910 - 1925

Deborah Ascher Barnstone

Writing Hollywood: The Work and Professional Culture of Television Writers

Patricia F. Phalen

The Science and Art of Acting for the Camera: A Practical Approach to Film, Television, and Commercial Acting

John Howard Swain

The Science and Art of Acting for the Camera: A Practical Approach to Film, Television, and Commercial Acting

John Howard Swain

F*** You Very Much: The surprising truth about why people are so rude

Danny Wallace

Against Transmission: Media Philosophy and the Engineering of Time

Timothy Barker

What I Learnt: What My Listeners Say - and Why We Should Take Note

Jeremy Vine

Making a Noise: Getting It Right, Getting It Wrong in Life, Arts and Broadcasting

John Tusa

Highbrow, Lowbrow, Brilliant, Despicable: Fifty Years of New York Magazine

The Editors of New York Magazine

Music/Video: Histories, Aesthetics, Media

Music/Video: Histories, Aesthetics, Media

Secular Magic and the Moving Image: Mediated Forms and Modes of Reception

Max Sexton

Book Presence in a Digital Age

Vocal Projections: Voices in Documentary

Seeing Fans: Representations of Fandom in Media and Popular Culture

Screening Bosnia: Geopolitics, Gender and Nationalism in Film and Television Images of the 1992-95 War

Stephen Harper

Television Field Production and Reporting: A Guide to Visual Storytelling

Fred Shook,John Larson,John DeTarsio

Moralizing Cinema: Film, Catholicism, and Power

Classical Storytelling and Contemporary Screenwriting: Aristotle and the Modern Scriptwriter

Brian Price

Classical Storytelling and Contemporary Screenwriting: Aristotle and the Modern Scriptwriter

Brian Price

Digital Storytelling: Capturing Lives, Creating Community

Joe Lambert,Brooke Hessler

Streaming Music: Practices, Media, Cultures

Sofia Johansson,Ann Werner,Patrik Åker,Greg Goldenzwaig